Part I: Frameworks and Classics of 21st Century Horror
Chapter 1. Horror Theory Now: Thinking About Horror
Kevin Corstophine
Chapter 2. Decadent Feasts: Aesthetics, Ethics, and Twenty-First-Century Prestige Horror Television
Jeffrey Andrew Weinstock
Chapter 3. Horror Cinema and Censorship in the Twenty-first Century
Neil Jackson
CHAPTER 4. The Recurrence and Evolution of Universal’s Classic Monsters in Twenty-first Century Horror
M. Keith Booker
Chapter 5.The Remixing (and Ransacking) of Hill House: Surveying the Spectral Presence of Shirley Jackson in Contemporary Gothic Fiction
Joan Passey
Part II: Media and Consumption
Chapter 6. Further Notes Towards a Monster Pedagogy
John Edgar Browning
Chapter 7. Sounding Horror: Ballads, Ring Shouts, and the Power of Music in Black Horror
Erik Steinskog
Chapter 8. The Evolution of Horror on Stage
Kevin J. Wetmore Jr.
Chapter 9. Hauntify the World: New Directions in Video Game Horror
Gwyneth Peaty
Chapter 10. The Evolution of Horror and New Media
Carlos Littles
Frontispiece to Part III
Mother [Figure 5]
Gemma Files
Part III: Recognition and Evolution
Chapter 11. The Future of Horror: Evolution or Revolution?
Carina Bissett
Chapter 12. Black Lives Matter Horror
Maisha Wester
Chapter 13. Indigenous Horror in the Twenty-First Century
Jacob Floyd
Chapter 14. “Stepping out of the Closet”: The Evolution of Queer Representation and Tropes in Twenty-first Century Horror TV
Natasha C. Marchini
Chapter 15. Involution, Adaptation, Mutation: Horror’s Disability Dynamics
Angela M. Smith
Chapter 16. Sympathy for the Candyman: The Politics of the Past in Supernatural Horror
Brandon Grafius
Part IV: Evolving Themes
Chapter 17. The Future Promise for Folk Horror
Mikel J. Koven
Chapter 18. The Rise in Ecohorror and Ecogothic Criticism
Teresa Fitzpatrick
Chapter 19. Undying Earth: Extinction Romances in the Age of Anthropocene
Ian Fetters
Chapter 20. Fear of Infection: Negotiating between Community and Isolation in Gothic Contagion Narratives
Laura R. Kremmel
Chapter 21. The Metal and the Flesh: Techno-liminalities, Bio-subversion, and the Enhanced Super-Body as a Horror Space
Lorna Piatti-Farnell