Part I. Bending Genres
1. Mental Landscapes and Subdued Bodies in Killer’s Kiss – Vincent Jaunas
2. Burning Down the House in Kubrick’s The Shining – Anne-Marie Paquet-Deyris
3. Kubrick’s Gangster Artistry: Contradiction and Hybridity in The Killing – Carol Donelan
4. Adapting Lolita: Hybridizing and Subverting Genre Conventions – Gilles Menegaldo
5. History by Candlelight: How Stanley Kubrick Revolutionized Depictions of the Past on Film – Sean O’Reilly
6. Intertextuality, Distortion and Echoes of World War II in Stanley Kubrick’s War Films – Guillaume Mouleux
Part II. Master of Chaos and Transgression
7. The Philosophy of War in Dr. Strangelove – Jerold J. Abrams
8. Stanley Kubrick and the Cinema of Chaos: The Theater of War – William Gombash
9. Joker’s Ideological Becoming: The Limits of Irony in Full Metal Jacket – James R. Britton
10. “Violence is a Very Horrible Thing”: Brechtian Alienation Effect in Kubrick’s A Clockwork Orange – Madison Mae Williams
11. Reading Reality in A Clockwork Orange: Film Censorship, Metalepsis and “Media Effects” – Rachel Cole
12. Through a Glass, Darkly: The Slow Rise of Women in Barry Lyndon, The Shining and Eyes Wide Shut – Elsa Colombani
Part III. The Visionary Auteur
13. Kirk Douglas and Stanley Kubrick: Reconsidering a Creative and Business Partnership – James Fenwick
14. Auteur vs. Author: Kubrick’s Relationship with Literary Writers – Annie Nissen
15. “May I have the password?”: Heterotopic Space in Eyes Wide Shut – Carl Sweeney
16. The Spectacle of Time, (Slow) motion and Stillness in the Films of Stanley Kubrick – Paul Johnson
17. 2001: A Space Odyssey: Kubrick’s Allegory of Melancholia – Maurizia Natali
18. The Everlasting Moment: Enchantment and Myth in A.I. and 2001: A Space Odyssey – Joshua Sikora