Part I: Creativity
Chapter 1: Julie Taymor’s Frida: A Two-Way Mirror on Female Creativity
Chapter 2: ‘We Can Work It Out’: Reassessing Musicality, Fidelity and Excess in Across the Universe
Chapter 3: From Historical Relevance to Postmodern Revisionism: The Case of Julie Taymor’s Titus
Chapter 4: Across the Universe: How Political Mood Shapes Viewers’ Choices and Box Office Success
Part II: Gender and Sexuality
Chapter 5: Disruptive Desires and Creative Transgressions in Julie Taymor’s Across the Universe
Chapter 6: Framing a Feminist: Vehicles, Bodies and Clothing as Biography in The Glorias
Chapter 7: Frida: Creativity, Trauma and the Woman Artist
Chapter 8: Why Feminism? An Examination of the Philosophy of Gender in The Glorias
Chapter 9: Wanton Boys: Queering Childhood and Youth in Julie Taymor’s Titus
Part III: Adaptation
Chapter 10: Fool’s Fire, Titus, The Tempest: Revenge in the Films of Julie Taymor
Chapter 11: From Titus to Tempest: Taymor’s Divergent Lenses on Shakespeare
Chapter 12: Hybridity and Self-Reflexivity in Julie Taymor’s Film of A Midsummer Night’s Dream
Chapter 13: Compulsive Symbolizations: Scenes of Power, Figuration and Ob/Scenity in Titus